Table Of Content
” “No, not before,” he replies in one of the show’s many glimpses of Flanagan’s viciously dark sense of humor. (Poe had one too.) Roderick has been haunted by all his awful children who have shuffled off this mortal coil, and it’s because it feels like the ghosts are finally coming for him that he is ready to confess. He’s having visions of monstrous ghosts, including the recurring specter of Verna (Carla Gugino), a figure that connects most of these tall tales as a sort of vengeful force of karma, the devil come to take what she’s due from a man who profited off the pain of others. Fearing that her body will be exhumed for medical study, Roderick insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried. The narrator helps Roderick put Madeline's body in the tomb, whereupon the narrator realizes that Madeline and Roderick are twins.
The House of Usher (2006 film)
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In the tale's conclusion, Madeline escapes from the tomb and returns to Roderick, scaring him to death. During a heated argument with Roderick, Madeline suddenly falls into catalepsy, a condition in which its sufferers appear dead. Roderick knows that she is still alive, but convinces Winthrop that she is dead and rushes to have her entombed in the family crypt beneath the house. As Philip is preparing to leave following the entombment, the butler, Bristol (Harry Ellerbe), lets slip that Madeline suffered from catalepsy. Roderick has come from a miserable childhood with a puritanical, sickly mother who believes that “pain and suffering are the kiss of Jesus”.
Carl Lumbly as Detective C. Auguste Dupin
The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death. Over the next week, both Roderick and the narrator find themselves increasingly agitated. Jill Masters (Izabella Miko) has not seen or heard from her ex-lover, Roderick "Rick" Usher (Austin Nichols), or her best friend (Rick's twin), Madeline "Maddy" Usher (Danielle McCarthy), for three years. Her love affair with Rick is rekindled as she learns he suffers from the same malady that robbed his twin sister, Maddy, of her sharp mind before taking her life. His affliction is manifested in a rare nerve condition, which renders him hypersensitive. Under the watchful eye of the caretaker, Nurse Thatcher (Beth Grant), Jill appears to be haunted by Maddy's ghost.
Mark Hamill
Some of the CGI, particularly one scene involving bodies falling from the sky, is unintentionally funny. Problematically, Flanagan tends to conflate queerness with depravity and sexual fluidity is punished here with an unnerving flourish. But the show remembers to be actually scary, with truly inspired uses of chimps, mirrors and sprinkler systems. There’s no question that The Fall of the House of Usher ranks among Flanagan’s finest works. Sliding through it all is the mysterious man who works as a sort of fixer for the Ushers, Arthur Pym (Mark Hamill), totally reimagined from the title character in Poe’s only complete novel, The Narrative of Arthur Gordon Pym of Nantucket. The Fall of the House of Usher is an opera composed by Peter Hammill with a libretto by Chris Judge Smith released in 1991 on Some Bizzare Records; in 1999, Hammill revised his work and released it as The Fall of the House of Usher (Deconstructed & Rebuilt).
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When one steps back and looks at the whole narrative of the season of “The Fall of the House of Usher,” it sags in places. Most of the flashbacks to a young Usher and Dupin are thin, especially compared to the wicked fun on display in the fates of the Usher children. It feels like padding to get episodes to a full hour when Flanagan and company could have leaned even more into the episodic structure that highlights a single Poe per chapter. However, it's an incredibly easy show to enjoy on an episode-by-episode basis, largely because Flanagan’s direction is sharp throughout, including excellent use of music and tight editing—some scenes are too underlit, but that’s just the Netflix brand nowadays, and I’m done fighting it.
The narrator then runs from the house, and, as he does, he notices a flash of moonlight behind him. He turns back in time to see the Moon shining through the suddenly widened crack in the house. As he watches, the House of Usher splits in two and the fragments sink away into the lake.
Roderick eventually declares that he has been hearing these sounds for days, and that they are being made by his sister, who was in fact alive when she was entombed. The narrator is impressed with Roderick's paintings and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it.
Cast & Crew
During one sleepless night, the narrator reads aloud to Usher as eerie sounds are heard throughout the mansion. He witnesses Madeline's reemergence and the subsequent, simultaneous death of the twins. The narrator is the only character to escape the House of Usher, which he views as it cracks and sinks into the mountain lake. The bedroom door is then blown open to reveal Madeline, bloodied from her arduous escape from the tomb. In a final fit of rage, she attacks her brother, scaring him to death as she herself expires.
Mike Flanagan
Frank Langella will star as the Usher patriarch, Roderick, with Mary McDonnell as his sister, Madeline. Hamill and Gugino’s roles have yet to be revealed, but Lumbly will play the legendary Poe investigator, C. The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe. Its main character, William Stendahl, builds a house based on the specifications from Poe's story to murder his enemies.
Alongside his favoured players is Mark Hamill as an unfeeling lawyer/fixer for the Usher family who sounds as if he gargles a pint of nails every morning. But as we know from the start, there’s no point in getting overly attached to them, as grisly fates are assured for all. It’s not so much the “what” as the “why” that the audience and Dupin need to be answered. In 1979, Italian state channel RAI loosely adapted the short story, together with other Poe's works, in the series I racconti fantastici di Edgar Allan Poe.[33] It was directed by Daniele D'Anza, with Roderick Usher played by Philippe Leroy; music was composed by pop band Pooh. As the narrator reads of the knight's forcible entry into the dwelling, he and Roderick hear cracking and ripping sounds from somewhere in the house.
In November 2023, Roderick Usher, the CEO of pharmaceutical company Fortunato Pharmaceuticals, loses all six of his children within two weeks. Auguste Dupin, an Assistant United States Attorney who dedicated his career to exposing Fortunato's corruption, to his childhood home, where he tells the true story of his family and unveils the Ushers' darkest secrets. The first two episodes of The Fall of the House of Usher premiered at Fantastic Fest in September 2023 before the Netflix release the following month, being viewed more than 13 million times in its first two weeks. It was met with positive reviews, with critics praising its production values, directing, and performances (in particular from Gugino, Greenwood and Mark Hamill), although they were divided on its narrative, notably in relation to the source materials. The Fall of the House of Usher is an American gothic horror drama television miniseries created by Mike Flanagan. All eight episodes were released on Netflix on October 12, 2023, each directed by either Flanagan or Michael Fimognari, with the latter also acting as cinematographer for the entire series.
When the dragon's death cries are described, a real shriek is heard, again within the house. As he relates the shield falling from off the wall, a hollow metallic reverberation can be heard throughout the house. At first, the narrator ignores the noises, but Roderick becomes increasingly hysterical.
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